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What type of direction did you get from the magazine?
They explained about the detail of the course and pretty much gave me free reign to shoot it in all its elements – from wide DPS views to the fine detail such as the cut grass.
Because Summer in Scotland the late evening light lasts so long (almost until 10pm), I had plenty of time to really walk the hole and see all the details.
When you are approaching such a legendary course which is heavily photographed, is your process any different?
Heidi: What was different about this course that was a challenge for you to photograph?
The industry was more severely weakened in 1948, when a federal antitrust suit against the five major and three minor studios ended in the “Paramount decrees,” which forced the studios to divest themselves of their theatre chains and mandated competition in the exhibition sector for the first time in 30 years.
As a contributor to Tom's Guide he's found a happy middle ground writing about apps, mobile gaming and other geekery.
Following the declaration of war on Japan, the government created a Bureau of Motion Picture Affairs to coordinate the production of entertainment features with patriotic, morale-boosting themes and messages about the “American way of life,” the nature of the enemy and the allies, civilian responsibility on the home front, and the fighting forces themselves.
The course, and this particular hole, is quite exposed so you get your share of wind and rain. I tend to plan these shoot around and evening and a morning – this gives me two chances at getting the best light.
I love this kind of wild weather though – it feels good to spend a day walking in it. I was lucky as an old school friend lived within yards of the course so I stayed with him and had a very short walk to the course.