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We simply do not believe in the demonic as a force in itself, perhaps with the exception of some extremely religious environments, Birkvad points out.However, in popular culture – and especially in the world of film – evil is presented as an independent phenomenon through the horror genre."Evil is reserved for this genre of popular culture because we no longer believe in the compelling explanatory models that the local priest once gave us," says Birkvad.Adolescent boys have historically sought out information about sex through friends, family members, and pornography, hoping that this knowledge will fulfill their newfound curiosity and urges.
The horror film has its roots in mythical performances and presentations, but also in the Gothic horror literature of the 1800s with its relatively modern myths such as Mary Shelley's "Frankenstein," Robert Louis Stevenson's "Dr Jekyll and Mr Hyde,” and Bram Stoker's vampire tale “Dracula.” Psychologist Kjøs Johnsen also notes Sigmund Freud's term "Das Unheimliche," the uncanny, as a common theme for horror films.Ideas and myths like Frankenstein provide us with, for example, an explanation for human technological arrogance, where the man-made monster turns on its own creator.Dr Jekyll and Mr Hyde shows us the human divide of good and bad, while more or less Freud-inspired films and TV series such as "Psycho" and "Twin Peaks" revolve around our notions of dangerous sexuality.He provides no direct explanation as to why we would wish to seek out something that reminds us of such infantile anxiety, but it could be related to curiosity."The horror film is one of three basic genres in film.The term refers to how everyday situations, or objects, suddenly seem to be ruled by unknown forces.Frightening."In several films by David Lynch, and in the "Twin Peaks" series, it seems that this principle has been used almost directly," says Kjøs Johnsen. Dating back to the silent film period of the previous turn of the century, we have been dreadfully delighted with this particular type of film. Caligari" from 1920, is considered a milestone in cinematic history.These consist of comedy, melodrama, and thriller – or horror film," says film scholar Birkvad.All of the above appeal to basic feelings in us like humour, empathy, discomfort or excitement.Their hormone levels spike, their bodies go through many changes signaling a transition from boyhood to manhood, and their curiosity about sex and sexuality accelerates.It can be a time of great curiosity and great confusion because boys' budding sexuality opens them up to many questions, fantasies, and urges that have not existed before.