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Raised on a farm it was commonplace for Sahar to see animal carcasses, skulls, rotting fruit and vegetables and it is in this milieu of birth, death and decay that she discovered beauty in the extraordinary.While studying at Edinburgh College of Art she found passion in high drama, Schiaparelli hats, insect art and taxidermy receiving her degree in Costume Design and specialising in Millinery.Then, in 2005, ‘sick with shingles, I walked into a shop that was running ceramic painting classes and it was immediately obvious that it was something I had to do’. Having worked with human hair in the past and now with donated pigeon, natural, undyed feathers, Kate Mcc Gwire creates visually striking art.While she has worked with earthenware as well as porcelain, her medium has always been the plate. The Royal College of Art MA graduate is based on a boat floating on the Thames, which helps her stay connected to nature.Transmutation was the word that came to mind the first time I saw milliner Sahar Freemantle's Magpie inspired Ugly Lovely collection.
Susan departs from a straightforward replication of flora and fauna by concocting strange hybrids or by exaggerating features, such as piercing eyes to convey the extreme visual acuity of an eagle.He spoke about dead birds, I remembered birds interested him back then as well, in Bezalel. See, those are birds that people don’t usually put inside their freezer, long winged, magnificent, fragile. He told me about the freezer, the cooler where a dead bird is each time carried into the club he photographs in, waiting for the right, crucial moment.I was immediately sorry I hadn’t thought of it myself, that I hadn’t stolen him from life, into my story.Symbolism pushed its way in, photographs with dead birds, magnificent, hurt, in a club named after the primordial singing bird; and that’s the mode of action: he approaches stranger men at the club and asks them to photograph with a dead bird. The necrophilic layer, the emotions layer, the surprise, the threat, the spectacular sight of a boy holding a bird, struck with a spotlight.It’s a story’s geology, something needs to be done, I thought in despair.Yuval would probably say “Israeli goth” and he would be right and I would be wrong, for they are all migrating birds passing through Israel, dying here with all their glory.He doesn’t kill them, it’s important to say, Yuval is the most non creepy person I’ve met and still, I was amazed by the way he creates beauty from this death, present it, displaying it beside the bodies of young men who carry them as carrying their own death.I obsess about how fine a line I can do; ultimately, I love seeing all the little black lines that I’ve painted come together to create an image.’ Despite the striking maturity of her work, Susan has been working in ceramic art for less than a decade.For many years she worked as an art director/designer in advertising.Gisela Torres Photos: Gisela Torres Hats: Sahar Freemantle Makeup Artist: Sara Sorrenti Hair: Jack Merrick Thirlway Model: Danielle Ifra Yuval Atzili was my student. I have known him as a teacher knows a beloved student.There is a limit to what you can know about your students. I have taught him 2 years in Bezalel Academy of Arts and Design. I have met again a few months ago, we sat in a coffee shop, he doesn’t like coffee shops. Even people who eat everything don’t freeze that kind of birds.