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Ciekawym rozwiązaniem mogą być buty z akcentami, które zmieniają odcienie w zależności od kąta patrzenia.
Obuwie o sportowym charakterze przestało być tylko domeną stylizacji z siłowni.
Big Black's aggressive and abrasive music was characterized by distinctively clanky guitars and the use of a drum machine rather than a drum kit, elements that foreshadowed industrial rock.
They were staunchly critical of the commercial nature of rock, shunning the mainstream music industry and insisting on complete control over all aspects of their career.
The band had already begun writing songs for their first full-length album by the time Racer-X was released, stating in the last sentence of the EP's liner notes that "The next one's gonna make you shit your pants." Michael Azerrad comments that "by this time Big Black had both refined the ideas first suggested on Lungs and exploded them into something much huger than anyone but Albini had ever imagined", while Mark Deming of Allmusic states that the album "upped the ante on the musical and lyrical ferocity of Big Black's previous body of work, an unrelenting assault of guitar sounds and imagined violence of all sorts." The lyrics on Atomizer presented sociopaths committing evil acts that most people only sometimes contemplate: "Big Money" deals with a corrupt police officer, "Bazooka Joe" profiles a shell-shocked veteran who becomes a contract killer, "Stinking Drunk" describes a violent alcoholic, and "Fists of Love" presents a sadist.
In 1985 Pezzati was replaced by Dave Riley, who played on Big Black's two full-length studio albums, Atomizer (1986) and Songs About Fucking (1987).